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 Ethan A. Paquin: Two Poems 
Caladium in Waning Sestina | Anatomy of Seduction 
 
  
 
Caladium in Waning Sestina 
When some epoch melts, 
fraught with declension, 
 
I'll spy the smoky extensus of days 
wound taut around potted repens, 
 
drizzling a sleepful aquarium glint; 
I'll bate the seconds of your falling hair 
 
uncounted by the listless voyeur; 
I'll seek the parting of sanguine from skin 
 
disrobed in the fire of ochre piano-rooms. 
 
 
Now to wonder. The day 
______ was called forth to plant 
 
sadness below the mountains, in the glint 
caressing her wisteria gardens beyond their 
 
quiet slopes: "Grow ever, o tall voyeurs . . ." 
Pinyon? birch? the hawthorn's kin? 
 
Who belabored that whisper in the wide room? 
 
 
Hues of viridian and mango share 
hesitation in this dwindling arc, voyeurs 
 
one and all to the fall, to the skin 
of trunk and sprig, scattered about Pomona's room. 
 
     
 
Anatomy of Seduction 
I. 
 
Some come from ectopic sunrise, 
some from the shadows of clatterboard cabins 
near chalky lee summits. 
 				
In rumination, 
some recall the dry friction of grain, 
the furnace, the calendar, the birth cry. 
 				     
Most are pinions of irrelevance: 
Even sunrise is a stain, 
wiped and washed. 
 
 
II. 
 
Eleven drones in with its tones of raisin and habana, 
the breadth of something terribly luscious 
drizzled with midnight horns, breezy furlongs, 
                                                                      the pitter of halyards, 
as you crush them all in your palm. 
 
 
III. 
 
You:  
       gray spectre, satellitic orb, exiled by shame  
                                                                           those tendrils, 
flitting muscles [devils] dancing with bleakness.  
 
O, the canopy: 
you'll find there a new tangent in Eden:  
                                                            the strange gravity of flux. 
 
  
  
 
Poet's Biography: 
 
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Ethan A. Paquin edits the online journal slope. His poetry and reviews are forthcoming in Quarterly West, Verse, Overland, Plastic (a Czech journal) and Lagniappe. He teaches in the writing program at the University of Massachusetts-Amherst, where he is pursuing
his MFA. 
 
About Ethan's poetry: "My goal is to explore the lacunae between object and observer. I like to explore these gaps, and the requisite tension and static residing within. I tend to appropriate music and language to capture the fugitive sense of a particular situation."
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