| Billy Marshall Stoneking: Two PoemsElephant | Campfire at Tjukula - Central Australia
 
 
 
 
 
Elephant(for Ed Field) 
 He liked the monkeys & the hippos,
 the polar bears, & even the birds,
 of course...
 but most of all, he loved the elephants.
 The elephants were dependable
 solid and definite as the paperweights
 he'd played with on his father's desk.
 You could trust the elephants.
 "The elephants," he said,
 "the elephants are my friends."
 
 So he learned their stories,
 their way of speaking, their private jokes
 & what they knew of love and keeping;
 & by the time he was nine,
 had mastered their vocabulary,
 committing to heart their logarithms & astronomy.
 He could walk like them, talk like them,
 & even recall small facts about
 some of the really great ones
 who'd made big names for themselves.
 
 On special days,
 before he was allowed to travel on his own,
 he'd go with his father to the zoo
 to say hello to his mates
 the Indian & the African
 waiting for the keeper to come
 with leaves of hay,
 or brush & bucket to scrub them clean,
 transforming their skin
 into an ineluctable rubberiness.
 
 By the time he was eleven,
 he knew their gestures & their joys,
 imagining a life in other countries,
 free of cages,
 before Loxodonta africanus stumbled
 accidentally
 into a crowd of peanuts & boys.
 
 As he recalled it,
 to touch the eye of his first elephant
 he would've needed a hook'n'ladder;
 it was so high, its grey head
 scraped the ceiling in the animal enclosure.
 Outside, you would've lost it
 in a cloud.
 
 Lostthe child grows down into the man.
 And year after year, the elephants grow smaller.
 The big onethough he searched for it everywhere
 he never saw it again.
 
 Behind the locks that keep us safe,
 inside the Sundays of our brains,
 hordes of creatures are detained
 that can't be fed & won't be named.
 We play our parts.
 The strongest cage: the human heart.
 Not good, not bad, not false, not true.
 The incomparable comfort of sawdust
 contains the fool.
 
 
 
   
 
 Campfire at Tjukula - Central AustraliaOut here the night sky is so bright
 you can hear the Seven Sisters
 screaming in the dark,
 frightened by that Old Man
 that greedy one
 who would take them all
 for wives.
 
 The foot of the wedge-tailed eagle
 presses against the sky.
 And everywhere,
 heaven is littered
 with spears.
 
 In Scorpio, two lovers
 unable to separate
 run for their lives
 pursued by waputju
 (the girl's father),
 and by the guardian of
 the circumcision ceremony.
 The boomerang flying to kill them
 explodes
 in a cloud of dust.
 
 Tutama
 prods the fire with a stick,
 waiting for my reply.
 
 Whitefella way
 different way,  I tell him:
 stories of black holes,
 Schrodinger's cat,
 the Big Bang,
 one hundred eighty-six
 thousand miles
 per second.
 You see that star?  I say.
 It might've blown up
 before you were born,
 but
 its light is
 still coming
 towards us.
 
 Tutama reaches for
 a lump of bush tobacco
 behind his ear;
 rolls it silently
 between dry palms.
 Skin warm.
 Stomach full.
 Not wanting to
 disturb the universe,
 he accepts what I say
 with the dignity
 of a man
 who understands
 how a whitefella
 will tell you almost anything.
 
 
 
 
 
 
 Poet's Biography:
 
|  | Born in Orlando, Florida, his published work includes the modern-day classic, Singing the Snake (Harper/Collins, 1990); and the equally good though less classic, Lasseter: In Quest of Gold  (Hodder & Stoughton, 1989). Taking America Out of the Boy, an irreverent auto-fictography, was published by Hodder Spectrum in 1993. His first full-length play, Sixteen Words For Water (published by Harper/Collins in 1991) has enjoyed several successful productions, inlcuding seasons in London, Sydney, Melbourne, Perth, Hobart, Dunedin (NZ), and Buffalo (NY). Much of his work has been influenced, and continues to be influenced, by his long association with tribal Aboriginal people. His latest play, Eisenstein in Mexico has been translated into the Spanish, and will be published by the University of Sinaloa Press in Culiacan, Mexico, as part of their world literature series. Visit Billy's website at http://stoneking.org.  He can be reached via email at billy@stoneking.zzn.com. |  |